‘His chords are like sheets of diamond ice’: the beguiling psych-folk of late cult songwriter Ed Askew

The late songwriter released around 50 records, writing gay love songs and effortless folk songs from folk’s fringes.

Fans including Bill Callahan explain his singular brilliance In a grainy television clip from 1986, a flame-haired and neckerchiefed troubadour plucks away at a lute-like instrument, harmonica under chin, the gentle ripples giving way to a voice full of longing.

This performance, uploaded to YouTube in 2010, has generated only a handful of comments, but peruse any of them (“Ed the Great!”; “pure gold”) and you begin to understand the passion that Ed Askew – an under-the-radar US poet, artist and musician – has inspired over the years. “He was living in a world that was for people who didn’t fit in,” Askew’s collaborator, Jerry David DeCicca, says on the free-spiritedness of his friend, whose musical life began with discovering the 10-stringed tiple as a teenager in the 1950s and ended with his death a year ago, aged 84, on the verge of him releasing his album The Final Painting, now being released posthumously this month.

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  ‘His chords are like sheets of diamond ice’: the beguiling psych-folk of late cult songwriter Ed Askew