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CultureCulture | The GuardianMichael Cragg

Tyla: A*Pop review – old-school pop superstar transports us back to more carefree times

Tyla: A*Pop review – old-school pop superstar transports us back to more carefree times

At a glance

(Fax/Epic) The South African singer reflects on love’s highs and lows on her second album, nimbly flipping between moods but with her voice always holding attention From her penchant for paparazzi-baiting stunts – arriving at a recent London listening party in Y2K cosplay with this second album’s title temporarily tatt

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(Fax/Epic) The South African singer reflects on love’s highs and lows on her second album, nimbly flipping between moods but with her voice always holding attention From her penchant for paparazzi-baiting stunts – arriving at a recent London listening party in Y2K cosplay with this second album’s title temporarily tattooed across her lower back – to her music’s outsized mix of sun, sex and sultriness, 24-year-old South African Tyla seems keen to transport us back to more carefree times.

On the head-knocking, Christina Milian-esque Mr Nonchalant, for example, she references her belly ring and tells a man she likes his eyes “cuz they match the thong”.

However, as with Rihanna, her constant point of comparison since emerging in 2024 with transatlantic smash Water, Tyla is able to nimbly traverse genres and reference points thanks to a characterful voice that suits every mood.

On frustrated opener Is It Love she gives it the full-belt treatment, while on Chanel – an intoxicating fusion of R&B, amapiano and pop – she sits back, riding Nigerian-British producer P2J’s beats as if on a lilo with a cocktail in hand.

Even when the rug is pulled out from under her on the shape-shifting banger

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