Evanescence review – devastating power and range from one of rock’s great vocal talents

At a glance
First Direct Arena, Leeds The titanic choruses and stormy metal riffs of latest album Sanctuary are the perfect foundation for Amy Lee’s astonishing, skyscraping vocal range To watch Evanescence in concert is to be spellbound by founder Amy Lee’s astonishing voice. The Arkansas band’s gifted mezzo-soprano lends their m
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First Direct Arena, Leeds The titanic choruses and stormy metal riffs of latest album Sanctuary are the perfect foundation for Amy Lee’s astonishing, skyscraping vocal range To watch Evanescence in concert is to be spellbound by founder Amy Lee’s astonishing voice.
The Arkansas band’s gifted mezzo-soprano lends their music vocals that range from skyscraping and spectacular to haunting and devastating.
She soon moves through the registers on the opener Sanctuary, setting the stage for a show during which her vocals seem to scale ever greater peaks, even when you are convinced that there are no octaves left to conquer.
And she makes it look effortless, striding around the stage, headbanging and fist-pumping the air.
It’s standard promotional protocol for a band to lean on their new album on tour, but it still shows impressive faith in their audience that tonight Evanescence perform all but one song from Sanctuary, which is also the title of their sixth LP.
Jordan Fish, formerly of Bring Me the Horizon, produced most of it and his metallic influence is clear: pummelling drums, titanic choruses and walls of stormy riffs make the band’s new material noticeably heavier than the gothic ha
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